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dimanche 10 avril 2011

EDGE;THE ROOTS OF DIGITAL THINKING ["Die Wurzeln Des Digitalen Denkens"] Brokman Net Avantgardist, Purveyor of Knowledge, Literary Agent and Founder of Edge












SÜDDEUTSCHE ZEITUNG
16. Februar 2011 Seite 12

FEUILLETON 
THE ROOTS OF DIGITAL THINKING
 
["Die Wurzeln Des Digitalen Denkens"]
John Brockman, Net Avantgardist, Purveyor of Knowledge, 

Literary Agent and Founder of Edge Turns 70

Recently, I visited DLD, the annual congress of the d
igital elite,
 in Munich. In it was one of those moments that 
describe a man better than his official biography. 
Shortly before the gala 
dinner on the first day of the congress, I was in a small 
group in the ballroom in the company of John Brockman, 
the key figure in so many scientific debates that often 
take place on his website edge.org and who is not nearly 
as well known as the stars who he represents as a 
literary agent: The evolutionary biologist and atheist
 Richard Dawkins, for example, or the genetic scientist
 Craig Venter, the pioneers of digital debates like 
It's difficult to make comparisons of different people, 
but if you want to try, John Brockman would be something
 like the Siegfried Unseld of the sciences, a man with 
an unerring sense for the important themes of his time 
who also has a tremendous business acumen. Anyway, 
Brockman encountered Sean Parker, the young billionaire
 who first revolutionized the music industry with Napster
 and then went on to take on social relations with Facebook.
 Parker's arrogance is legendary. But in front of Brockman
 he has respect. "Edge is the only thing I read, when 
I read anything," Parker said, smiling awkwardly.
Brockman did not respond to the compliment, but it 
was not meant as a compliment. Rather it was as meant 
as recognition of the pecking order of those involved 
in the great debate about how our lives and our society 
are changing due to the breath-taking speed in the 
development of digital technology and the natural sciences. ... 
ANDRIAN KREYE

Digital culture, pop and protest politics in its early days: John Brockman (left) in 1966 with Andy Warhol and Bob Dylan in "Factory" [Photo: Nat Finkelstein]




Recently, I visited DLD, the annual congress of the digital elite, in Munich.
In it was one of those moments that describe a man better than his official
 biography. Shortly before the gala dinner on the first day of the congress,
 I was in a small group in the ballroom in the company of John Brockman,
 the key figure in so many scientific debates that often take place on his
website edge.org and who is not nearly as well known as the stars who
 he represents as a literary agent: The evolutionary biologist and atheist
 Richard Dawkins, for example, or the genetic scientist Craig Venter, the
pioneers of digital debates like Clay Shirky, Jaron Lanier and David Gelernter.
It's difficult to make comparisons of different people, but if you want to try
, John Brockman would be something like the Siegfried Unseld of the 
sciences, a man with an unerring sense for the important themes of his
 time who also has a tremendous business acumen. 
Anyway, Brockman encountered Sean Parker, the young
 billionaire who first revolutionized the music industry with 
Napster and then went on to take on social relations with Facebook.
Parker's arrogance is legendary. But in front of Brockman he has respect.


 "Edge is the only thing I read, when I read anything," 
Parker said, smiling awkwardly.

Brockman did not respond to the compliment, but it was not meant
as a compliment. Rather it was as meant as recognition of the
pecking order of those involved in the great debate about how
our lives and our society are changing due to the breath-taking
 speed in the development of digital technology and the natural
sciences.

Brockman did not begin to think about electronic culture with the
 triumphant advance of the Internet. He started in 1965, on one
of those legendary evenings when the composer John Cage
cooked for friends and acquaintances. John Brockman was 24-years
 old and not involved in science, as was the case with so many of his
 generation in the wake of New York’s downtown culture.
e organized multimedia performances and film festivals,
operated alternative theaters, and he was one of the
regulars that gathered daily at Andy Warhol's Factory.
____________________________

He wanted to win the intellectual debate
on the sovereignty of the natural sciences
____________________________
During one evening Cage handed Brockman a book entitled "Cybernetics,"
 by the mathematician Norbert Wiener. Wiener's cybernetics was
one of the first comprehensive theories of control systems of machines,
 organisms and social organizations. In the book, you can still find
answers to many questions posed today by the digital society.

Brockman was thrilled by it.

Together with his friend Stewart Brand, he plowed through the book
 in a manic reading rush of two days, driven by the notion that the
understanding of the non-linear nature of reality proposed by Wiener,
went far beyond the importance of the mathematical descriptions themselves.

Both men were changed forever by those days. Brockman was
in New York when MIT asked him to organize meetings between
 scientists and artists. He became the East Coast link between
the arts and the sciences. Brand, in California, founded
The Whole Earth Catalog, a catalog of alternative products and
innovative technologies. Apple founder Steve Jobs later described
 his Catalog as a "precursor to the World Wide Web".

The role of the intermediary is still John Brockman's forte. Surely,
 he, with his wife and partner Katinka Matson has earned a great
 deal money as a literary agent. Not least because he promoted a
 new genre of science literature that has often made it onto the
 best-seller lists.

"Third Culture", he called this genre, borrowing from C.P. Snow's
 phrase "the third culture", which Snow introduced as in sequel to
his legendary lecture on the "two cultures" in 1959 in Cambridge.

In it, the British physicist complained about the disconnect between
 the history of ideas in the humanities and natural sciences.

Brockman saw this as an opportunity. With the rise of interdisciplinary
research, scientists were forced to write books that were not aimed
at the usual market for "popular science", but written for their colleagues
 in adjacent fields. It was a different kind of audience. Biologists had to
be able to understand the books by computer scientists and computer
scientists had to understand the work of chemists. And thus, as a byproduct,
these "third culture" books were understandable to the general educated
American reader.

Brockman wanted more than just negotiating good contracts. He wanted
to win the intellectual debate on the sovereignty for the natural sciences.
 Nothing bored him more than the endless subtleties of the humanities,
 which arose from nothing more than the internecine machinations of
 insider cliques. And he hit a nerve. The tangible nature of his thesis
was embraced by a far-reaching range of scientists who went on to
write about undefined topics such as faith, morality and humanity.
This led to enormously contentious debates.
____________________________

a networked world of sparkling  new ideas.
____________________________
Brockman's seeds of a new intellectualism have bloomed in the culture
 of ideas that has become so popular in the past years in the pages of 
magazines such as Atlantiic and New Yorker, in numerous nonfiction
 bestsellers, or in the various incarnations of the TED conference


Brockman has stayed away from all forms of hype though. He still
 makes money with books, the very medium that has been declared 
dead so many times in recent years. He also refused to allow his 
website edge.org to fall into lockstep with the euphoria of Web 2.0. 
It is still a tightly edited forum of unique voices, not just a network 
open to anybody who wants to join the debate. That is one of the
reasons Edge has remained one of the purest outlets of intellectual 
thought on the Web. Together with his friend, the late philosopher 
Dennis Dutton, whose website Arts & Letters Daily is another 
of the few purist intellectual forums, he held onto the origins of the
 Internet, when texts stood for themselves and weren't launchpads
 for endless streams of debate, and when links where first and 
foremost references to texts worth delving into. 

On Wednesday, John Brockman celebrates his 70th Birthday 
at the New York restaurant Le Cirque. 
On the list of invitees are friends and companions, 
some of whom are Nobel Laureates, others who
 have accumulated billions of dollars in assets. 
Even if only half of the guests show up, it will be 
another one of those evenings, the kind Brockman 
has organized repeatedly since he attended the 
dinners parties organized by John Cage — a networked
 world of sparkling  new ideas.

ANDRIAN KREYE



John Brockman, Editor and Publisher
Russell Weinberger, Associate Publisher

contact: editor@edge.org
Copyright © 2011 By Edge Foundation, Inc
All Rights Reserved.

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